News Director: Frank Volpicella
“I haven’t met Frank because I am on mornings but in talking with him it’s been positive. Others say he’s a little overbearing, tells people things they already know and has strange news judgment. I am hoping he will eventually make the newsroom better.”
This person describes the overall newsroom environment as:
Organized, Unorganized, Educational, Open to Creative Control, Positive, Fun
Additional comments:
“KOKI overall has been a wonderful place for me to work. I am very happy. My last shop was horrible, under staffed, no resources and mean people. I left the industry all together and KOKI bought me back. FOX 23 doesn’t have drama. If someone doesn’t like somebody they leave it at the door. Now there are always negative parts to a newsroom, and the small but growing nags at the station are keeping them from ever being completely first. KOTV, is very strong but we’ve chipped at the lead they have. They beat us on slightly more staff and longer tenured talent.
I was going to hold off on my review but I saw a review that was slightly inaccurate and wanted to share my own experience as a producer and a little bit about the reporter experience too.
It is very true that reporters work hard at FOX 23, sometimes too hard. Dayside, Nightside and Weekend Evening reporters, (with exceptions) have to turn two separate PKG”s within the late 90 (9pm to 10:30pm) or Early 90 (5pm to 6:30pm) on weekdays. Weekends two different PKG’s at 5 and 9 or Saturday or at 5 and 9 or 10 on Sundays. Most reporters have to do some MMJ work, most are trained on it. If you need a photog, management is good about getting you one, if you work mornings you’ll get one almost always. Reporters are also allowed to do live shots at safe locations as well.
I saw this quote in a review of FOX 23, “That trickles down to producers who carry that same attitude when talking to reporters and photographers. They’re only worried about live shots and content. Your safety or you being comfortable is an after thought.”
I wanted to call out that quote. That isn’t completely true. Mornings and Weekends, we really care about reporters and photogs, we want them to be safe and comfortable. Same for the weekday noon and 10pm Producers too. The 5pm, 6pm and 9pm weekday producers are that way though, they are cold, strange and only care about themselves. They’ve never been a problem for me, but the rare times I see them, they ignore me. Some producers have only worked at FOX 23 so they don’t know how bad other places can be. We did pick up staff from the competition that calls FOX 23 the best newsroom in Tulsa to work for.
We do love crime at FOX 23, and it’s a little grating, but we also have a fluff problem. Sometimes too much of either. We skip stories that are more important sometimes and it frustrates me.
Photogs at FOX 23 are so kind, they do their job and are very positive. Reporters vary, I’m close with one who likes the station, some as you see in other reviews are jaded. We don’t hire a ton of experience anymore but it’s a problem at ALL Tulsa stations. Some of the newer people fly and others aren’t ready but survive. Morning reporters do nine live hits of the same story (unless sent to breaking news) each day and turn a different story for noon. Weekend Morning reporter does less hits but turns a PKG for later on.
Clay Loney (main anchor) (been there since 2004, we launched in 2002) is so kind, helpful, funny and knows the market, I never get to work with him but see him and talk.
Shae Rozzi (main anchor), (been there since 2013) a sweetheart, she cares about the station. Very positive and a delight to be around.
Both Clay and Shae write scripts as needed and they really care about the product.
Lynn (Weekend Evenings) also sweet. Tiffany (noon anchor), loud and crazy with a heart of gold. Naomi (weekend morning anchor) cool and calm.
As for the morning anchors; Ron Terrell is a market veteran and a nice guy. Great sense of humor, but doesn’t write scripts, and checks his scripts way too late into the show. Sometimes causes confusion.
Ah, Michelle Linn, she’s something. She really cares about the newscast each day and has a lot of experience. But she’s exhausting. Wants what she wants added in as soon as she says it. Lots of fluffy pet projects and enjoys making herself the story. Can be mean to reporters and producers if she doesn’t like something. I’m used to her at this point but not the biggest fan. On the bright side she will do rewrites if needed and they are strong. Great writer she is.
I’ll get to the biggest problem in a second but I really like Tulsa. It’s one of the best underrated news markets in the country. Tons of news here, pretty city and good weather. Great market to cover weather stories after storms.
Now as for turnover, we did have a couple of layoffs from COX after Coronavirus hit but we are staffed pretty well except for mornings. Five hours and we go down to one producer and EP only sometimes. We do a wheel format in the mornings and update when needed. Monday, and Tuesday, 2 producers, and AP and EP. Wednesday, and Thursday, 3 Producers and AP and EP. Fri 3 Producers and an EP. When fully staffed we are fine but we struggle on days without someone and it is tiring. As for the rest, we have a noon producer, a 5pm producer, 6pm producer, 9pm producer and 10pm producer. Two AP’s and four producers who fill-in. One of them is attached to mornings three days a week (and weekend mornings), other three do weekend evenings.
The sports team is kind, I came to FOX 23 on the advice of one them who had gone through a similar experience to mine.
Weather team is great, James, Michael, Laura and Mike are all delights and so kind.
Some have said that FOX 23 has bad turnover, and we do have some, but every station in Tulsa does, few people make their career here. Ours isn’t particularly worse than others. Other stations in Tulsa have it far worse than we do.
COX (even after the sale to Apollo) is one of the better companies. Better benefits than a lot of shops, especially compared to Sinclair. Lots of editorial freedom to cover what we want.
Now for the part that will keep us at second place, the managers. Frank is still so new and gets so many ideas from Magid (which COX loves), some are decent. He has the experience, just has a hard time getting them in place. Some ideas are confusing. Tina the old ND was very hands off and Frank is the complete opposite.
Greg is Managing Editor (in normal terms Assistant ND), he has been nice to me but not everybody is a fan. Lots of experience and still makes a lot of decisions in house.
Leslie (nightside EP) hired me and gave me a shot and I am always going to be grateful. Not always the best news judgment and makes us confused often. She means well.
Marti (morning EP), she is very kind and supportive, she is willing to listen. She is underprepared for her role sometimes. She can be late and missing when we need her. She gives good feedback but gets carried away over the smallest things and is afraid of Michelle. Changes scripts but forgets to tell anchors.
Communication is a struggle at FOX 23. Some don’t communicate at all, some too much and with others missing information. There has been confusion over who is anchoring on a day or who is reporting at times.
I feel I am a tiny bit underpaid for the market size but I came to the station for a decent pay bump.
Overall I am very happy at FOX 23, I know others aren’t but some have never worked anywhere else or in a toxic newsroom like I have. KOKI has toxic people and parts to it. But most people are kind and helpful and want you to do well.
This overall is a good station that is hopefully on the way to even better. Not an overly toxic newsroom by any means, just be careful around some.
I recommend coming to FOX 23 to start or continue your career.”
I’ve never done broadcast journalism, and don’t really have much affinity for 68-second packages, but one thing I’ve always admired about TV news teams (and by extension their assignment editors) is how they’re always there first. I consider myself pretty plugged in to sources and various means of alerts, but here it’s invariably the TV crews who seem to be able to get everywhere at once.
About three hours ago I was sitting in magistrate court when a local news crew showed up. I seldom see any other journalists in magistrate court. I usually have that beat completely to myself.
They were there to cover what turned out to be a pretty big story. So some assignment editor was monitoring a court calendar even though they seldom get a lead there, he or she identified a newsworthy item, and sent a crew.
As a person who hangs out in court and watches proceedings and chats with people in the hallways in a pretty leisurely way, the level of attention to detail and quick reaction it took for them to get someone there took some impressive monitoring.
When I was working in TV, watching the ability of the COS to be across EVERYTHING was amazing.
I’ve been in TV news 13 years. I completely agree the thesis of this article. I would never ever want to be on the assignment desk. I absolutely hate days where I have to fill in.
I really want to be an assignment editor but I really don’t wanna mess up
Filling in at assignment desk right now. Can confirm, it really sucks.
Last graf of this piece is unrealistic, but overall, I enjoyed the read.
I worked in TV news for nearly 10 years. Started on the desk. It is at its BEST a thankless job. At its worst (incompetent news director, idiot executive producer/assistant news manager, lazy photogs, egomaniac reporters), you’re fighting a semi-daily battle not to literally punch someone in the face. A job that is literally the nucleus of the business is treated with less respect than the janitor at a school. And paid much worse. Yeah, I have zero regrets leaving it behind.
I’m a 22 year veteran of TV news and I can say my 12 years on the desk were horrible. Unrealistic expectations, horrible working hours, no help with phones, blamed for almost everything that goes wrong in the newsroom. I was a producer for 6 years and I can say they make an AE’s job worse by their (younger ones) entitlement, reporters who are egomaniacs, lazy and surly photographers, absentee ND’s and incompetent and often stuipd executive producers. I’d rather go to prison than go back to the desk.
I worked in TV news for the better part of two decades, most of that time on the desk in various markets. This article is right on. I can’t believe the way I was treated by producers, reporters, photographers, and even management (some cases the ones who begged me to take the job.) You are unappreciated, blamed for everything, thrown under the bus by producers, reporters and even sometimes other a-hole assignment editors. I feel like someone who spent 20 years in prison when it comes to not wanting to ever go back. It’s no way to live your life or spend your career. News Directors need to make it clear AE’s are not the problem and shouldn’t tolerate the mistreatment they get from the rest of the newsroom. And they wonder why they can’t keep good people on the desk. Not work it at all!
First, don’t go into the TV news business, it sucks, especially these days when ratings are in the toilet and most newsrooms are in full panic mode to try and get them up. This causes unhappy and stressed out management who pass the unpleantness on to everyone especially the assignment desk (you know what they say about sh** rolling downhill? that goes double for any newsroom and it always hits the desk.) To combat bad ratings and greedy ownership they hire incompetent or “green” kids who don’t have the experience to deal with the newsroom on a realistic basis. Big companies that own these stations hire and promote the same type to newsroom management, so you have the blind leading the blind. Competent reporters, anchors, producers, news directors, and assignment editors are always fired to make way for cheaper clueless types to “run” these newsrooms. So many better ways to spend a journalism career than on the desk or even in daily TV news. Not worth it at all, I know as I spent nearly three decades in the newsroom.
Currently an assignment editor and looking for ANYWAY out. It’s spoiled my liking for tv news. I’m looking forward to the day I get to leave. It feels like a position where you push things out, get very little thank yous, and are looked at as someone at the bottom of the totem pole. Also, in my humble opinion after working in this position for a year, is that you are a glorified secretary in a newsroom.